![]() ![]() For example, I can't look at a Tuscan font (one with a fancy bulge in the middle) without thinking of a poster tacked up on a saloon in the Old West. Historical usage of similar fonts Looking at how fonts have historically been used can help to give some sense of the feelings they are likely to evoke. ![]() Italics and script fonts tend to have greater slopes. Most modern roman fonts have a strong vertical emphasis. (the angle at which a calligraphic pen would be place on paper to form the letters). Proportional fonts (where all of the letters are the same width) are good for representing columns of numbers, but have a mechanical feel in most other contexts. Fonts designed for large display sizes can use high stroke contrast, but letters at small sizes work better with more uniform stroke widths. Stroke contrast (the ratio between the thickness of the widest and narrowest parts of a letter). Very small fonts require broader strokes to avoid looking spidery. Unless you are intentionally trying to make a block of text look dark and solid, counteract thick strokes with wider tracking (letter-spacing) and leading (line spacing). Thickness has a significant impact upon the "color" of a block of text (how dark it appears on a page). Weight (stroke thickness, the average width of the lines relative to the total size of the glyph). Letters with larger counters will be easier to read at smaller sizes, especially in printed media where ink can bleed into the counters. Fonts with larger x-heights are more legible at smaller sizes.Ĭounter size (the hollow areas inside the letters). ![]() X-height (the distance between the baseline and the top of most lowercase letters). Some of the many factors impacting a font's suitability to a particular context are: ![]()
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